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Born into a prosperous creole family in Algiers across the river from New Orleans Bocage began taking violin lessons at 13. He was soon playing local parties with his father's group, and began playing with various groups in Storyville. At age 21, Bocage became the leader and violinist for the Superior Orchestera, which at the time was one of the cities most popular ragtime bands and featured Bunk Johnson on cornet. Bocage is considered responsible for Bunk’s learning to read music. During this period Bocage also saw and heard Buddy Bolden’s band, as well as a band led by Freddie Keppard both of whom he considered lesser player to Bunk. In 1910 Bocage joined Frankie Dusen’s Eagle Orchestra on violin which was essentially the Bolden band without Buddy. Bocage began learning the trumpet and with Fate Marable in 1917 formed the first inter-racial band on the Strekfus Riverboat Lines.
Throughout this period Bocage played with a who’s who of New Orleans brass and dance bands, many of which contained the most famous musicians ever produced in the Crescent City. In 1918 he played in both the Onward band which included Joe "King" Oliver and Henry Allen Sr.’s band. He also became a regular member of the Tuxedo Orchestra, which included Louis Armstrong. In 1922 he took over leadership of the Excelsior band which he continued to lead up until the bands demise in 1932. He kept the entire working stock of band marching and dancing arrangements and neither he, nor his family after his death have ever let anyone copy the documents.
In 1923 Bocage rejoined Piron's New Orleans Orchestra and with the help of Clarence Williams went to New York for a brief residency at the Cotton Club. The band also recorded for Okeh and Victor. Both songs were rejected and remain unissued. Piron's New Orleans Orchestra did record 13 sides in 1925 and again in 1932 for Victor as the Creole Serenaders.
In 1939, Bocage made his living in the insurance business and briefly left New Orleans to take Bunk Johnson’s place with Sidney Bechet’s group in Boston. As the New Orleans revival of the 1940’s came to a head, Bocage recorded with some of the old-time New Orleans musicians as the Jazz Pioneers as well as playing with Henry Allen Sr.’s brass band in Algiers.
Throughout 1950’s and 1960’s Bocage led various incarnations of the Creole Serenaders, and released an album on Riverside 60's for Riverside called: "Loves-Jiles Ragtime Orchestra/Creole Serenaders" and played an important part in the origin of Preservation Hall.
Original article by Ted
Gottsegen
Multi-instrumentalist Peter Bocage was one of the great trumpeters in New Orleans history and ironically did not consider himself a jazz player, but rather a ragtime musician. He got his start on the violin, although he did play mandolin, guitar, banjo, trumpet, baritone horn, xylophone and trombone. Listening to the recording he made in the 1960’s reveals the differences between the downtown orthodox ragtime orchestras and the uptown syncopators. Bocage came from the downtown school and preferred soft, melodic playing as opposed to the hotter or as he referred to them vicious styles as played by Buddy Bolden, Freddie Kepperd and later work by Bunk Johnson, a former pupil.